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Licensing your music into films is a great extra income stream for you as an independent artist. But, as with any other aspect of the music business, you have to go through the learning curve and networking process. My experience with film licensing, just like everything else, revolves around whom you know.

Your first (or tenth) licensing deal probably won’t be the next Hollywood blockbuster, but that’s ok. There are a zillion independent films that need and want your music. No, you won’t be immediately rich and famous from having a song in an indie film, but you will probably get paid, and you’ll get some good exposure. Remember, a good ling music career is not built on one big hit. It’s built on a series of small projects and successes building to bigger ones, and, of course, multiple streams of income.

With that in mind, independent films are a great place to start. So where do you begin? Well, listing sites like Versus Media, Film Music Network, and Taxi are a good place to start, but it’s hard to rely on a steady income from people you’ve never met. Also, something I’ve learned recently from a couple of music supervisors, is that follow up on your package is not required, nor particularly appreciated. So you really are relying on your package and your music being picked out of the pile. However, the listing services will give you access to projects you may not have known about otherwise. They are, therefore, a good investment.

An even better way to hook into independent films is to go out and meet film people. As musicians we tend to get stuck in our own little world. Hanging out with musicians, going to music workshops and events, etc. You must take your product to the people who need it instead of waiting for them to come to you.

A great place to start is Indie Club. This is a worldwide organization of independent filmmakers, actors, crew, and everyone else. Find your local chapter through the IndieClub.com website. It’s free to join. Where I am, San Francisco, we have the country’s largest chapter. Join their discussion list and introduce yourself as a music artist. Go to their meetings and get-togethers. When I went to my first Indie Club meeting, I was one of two music artists in the room. The cries of “We need you!” were not just the voices in my head (this time). That room full of independent filmmakers was looking for good music that they could license and still stay within their budget.

I scored my first licensing deal within an hour. Two songs in the same film, one I’d already written, the other to be written specifically for the movie. My tactic was simple. Ask them about their latest project. They’ll be happy to tell you about it, I assure you. They’ll ask what you do. Tell them, but don’t exaggerate. I explained that I had not yet written for films, but just came to see where I fit in. This particular filmmaker then explained to me that he couldn’t find a particular song for this one scene he was working on. I told him I’d be happy to custom write it for him. And there it was. I was being paid up front to write a song. How much? I received $100 for the new song, $50 for the previously written and recorded one. Like I said, you won’t get rich off of these. But hey, $50 to let him use a song that I’d paid for long ago is free money to me.

For the new song, the director arranged for recording time at the local recording arts school where his sound editor was studying. This was fortuitous, and not necessarily normal. Most other project I have to record myself. Because I kept the copyright for the song (which you should always try to do), I was able to release the new song on one of my future CDs, which put more money in my pocket. There’s that multiple streams of income again. And, as a topper, I was able to perform at the premier and sell more CDs there as well. I got all that just for showing up to a meeting and talking to people. I made a few other deals at that meeting too.

So the moral of the story is to just go where filmmakers are and talk to them. Besides Indie Club, I’m sure there are other film clubs and organizations in your area. Find them and make yourself a part of them. Get to know everyone, and you have your tunes in the movies in no time!

Next time: How to get your music in movies by getting yourself in movies!

Author Bio
Phil Johnson and his band Roadside Attraction know that life just isn’t that serious, and there’s always someone more screwed up than you. And they’ve got the songs to prove it. Hear all about them at www.RoadsideAttraction.com

Copyright 2006 Phil Johnson. This article is for reprint only. Do not make any changes to it.

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There are two important characteristics that recommend satellite radio as a service most people would like to have in their vehicles or homes: quality and content. When talking about quality we mostly refer to how clear the sound output is from satellite radio when compare to terrestrial radio broadcasts. Content, on the other hand, refers to the quality of the transited material. This is where the two giants in the satellite radio industry – Sirius and XM Radio – battle it out. The quality of the receivers and the technologies they both use are similar, but the difference can be made when it comes to exclusive high quality content. Let’s have a look at both the satellite radio quality and content characteristics:

Broadcasting quality

The broadcast quality is, when put in numbers, of 128kb/s 44.1khz for both digital radio service providers. This is the equivalent of CD quality. Although the coverage of satellite radio, which is far superior to what any terrestrial radio station can deliver, is an important factor, the quality of the sound is what brought Sirius and XM Radio more subscribers. There are many similarities to the way digital television worked or how cable TV has over 80% of the US population as subscribers, although they can receive free programming using UHF and VHF antennas. It’s the same with satellite radio – although one can get free terrestrial radio, satellite radio comes at an affordable price and offer a broadcasting quality that is superior to analog radio. Also keep in mind that satellite radio is commercial free – and this is huge selling point.

Content

So now that we know how good the technological side of satellite radio really is, let’s have a look at how broadcasters are trying to improve the quality of the content they provide. One of the most interesting approaches was to fight for obtaining exclusivity over some transmissions. For example, negotiations have been carried out between XM Radio and MLB in order for the satellite radio provider to obtain exclusivity rights to broadcast all MLB games. In an interview to WSJ, Edison Media Research’s President Larry Rosin declared that “it is probably inevitable that baseball radio broadcasts will go to a 100% subscription model…

It will happen because there’s too much money in it not to do it.” Today, around 23% of XM subscribers are signed up to receive the MLB transmissions, so there is real potential in such a venture. Of course, this would be a terrific blow against terrestrial radio and the two sides are engaged in combat while you are reading this. Of course, content quality can also be increased by having the best people in the industry work with satellite radio. Both Sirius and XM Radio know that someone who pays $300 for a receiver and $10 – $12 each month for a radio service wants to get the best content out there.

Surprisingly, when it comes to music channels, the difference in content quality between satellite radio and terrestrial radio is made in one main topic – commercials (or rather, lack of commercials on satellite radio). Since most of XM Radio and Sirius channels are in-house productions and only a small percentage are retransmits of terrestrial radio, this becomes an interesting aspect to consider.

Author Bio
Pj Germain
Software Escrow Resources

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“Hip hop is inherently political, the language is political. It uses
language as a weapon — not a weapon to violate or not a weapon to
offend, but a weapon that pushes the envelope that provokes people,
makes people think.” – Todd Boyd, Professor University of Southern
California’s School of Cinema-television

It’s true what they say about music — it is a universal language.
Regardless of where people are from or what language they speak, music
that has universal appeal can do more than entertain. It can bring
people together, get people to think and some cases provide a
soundtrack for change. Never has his become more present than in the
music of hip hop that went from an expressive combination of lyrics and
rhythm to a lifestyle and culture that has permeated popular society.

More than just a beat

As stated above the “hip hop” professor, Todd Boyd, hip hop is far more
than just clever rhymes and banging beats. It has the potential to
educate. Boyd is one of the many educators blazing the trail that of
bringing hip hop to education purporting that as a learning tool, it’s
very powerful. Take for example the organization H2ED (Hip Hop
Education). Their formula of T.O.P.S.Y (teachers, organizations,
parents, social workers and youth) seeks to involve the adults and
leaders in the community to band together focus educating the youth
using things that they can relate to.

This Is How They Do It

According to their mission, “H2Ed is to serve as a resource for
educators and those committed to helping children succeed in school by
using the power of hip-hop culture as a learning tool. This is achieved
by compiling and maintaining a comprehensive list of educational
resources, products and services available for educators. By providing
important networking opportunities and by advocating on both the
institutional and grassroots levels for educational reform.” (About
H2ED, www.h2ed.net)

The common misunderstanding or misconception is that you walk into a
classroom and there is a hip hop beat blaring while a teacher attempts
to rhyme the key points of American history. While that my seem like a
clever and entertaining idea for Hollywood films it’s a hackneyed
attempt at best to incorporate what hip hop can teach. Consider the
basic tenets of recording, producing and distributing an independently
produced hip hop CD. Within this one projecct.

* Basic Business Training
* Project Follow Through
* Problem Solving
* Social skills necessary for meeting goals
* Team Building
* Marketing
* Sales
(The DJ Project, By Dave Kim, Bay Guardian, San Francisco)

Involving youth in a project of this nature is exactly the goal of
initiatives like San Francisco’s DJ Project. Much like H2ED, the DJ
project uses hip-hop culture to reach out to urban youths for which
this music has become an integral part of their lives. It would seem
that the old perception of this music being a bad influence and having
no redeeming qualities has actually been changed and is now perceived
as music that can actually create a sense of empowerment for many kids.

For the Colorado Hip Hop Coalition (CHHC) founded in 1979 they take this empowerment to another level by:

* Creating a cultural connection between hip hop Culture that and kids
* Giving youth a stronger voice in the creation of programs suited to their needs and interests
* Developing a community network of hip hop artists and entrepreneurs
that work collectively to create community economic opportunity

The Future Is Bright

The next time you hear people bemoaning the negative influence of hip
hop, think about these pioneers in education and how they have looked
beyond the negativity and embraced the potential and common bond
between hip hop, kids and education.

Author Bio
HIPHOPDX – The premier spot for all things Hip Hop, Rap and R&B culture, what’chu know ’bout that?

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Bill Cosby at this point in his career is not just internationally famous; he has become an icon in the black community as a successful, inspiring individual who did not let his color get in the way making his mark on society. So when this highly recognizable and well-loved entertainer came out two years ago with a tirade against the black community, citing hip hop and the language associated with it as part of the problem with today’s black youth, people paid attention. His rant, delivered at a NAACP event honoring the 50th anniversary of Brown vs. Board of Education caused quite a stir.

As founder of Def Jam Records Russell Simmons aptly put it, “pointing the finger may not be helpful — we still have more struggle as a society and more work to do to reform it.” (Debate Continues as Cosby Again Criticizes Black Youths, by Hamil L. Harris, Washington Post)

True, there is in fact a negative connotation to some of the language in hip hop, but conversely this same language has been adopted and assimilated into modern culture. How can you have politicians, parents and critics lambasting the same language that is used to market anything from cell phones to Subway sandwiches? As the oft misquoted line from Shakespeare’s Hamlet states, “Ah there’s the rub.”

Many in the hip hop world would tell you that language of hip hop is the language of the street — the lexicon of the day-to-day struggle in urban life.

Love And Hate
It’s hard to imagine a music culture that has evolved economically and culturally and has become so widely accepted to still suffer such censorship and harsh criticisms.

Love: Hip Hop group The Fugees won 5 grammys in 1999 essentially confirming what everybody knew all along — the music is not only popular but is also highly profitable.

Hate: Negative stereotypes and objectification of women dominate the lyrics of many popular hip hop songs and artists. Adding more ammunition to the hate revolver, The Rand Corporation recently did a study linking promiscuous sexual activity in teens to sex-laden (primarily hip hop songs) lyrics. (Rand Study Finds Adolescents Who Listen To A Great Deal of Music With Degrading Sexual Lyrics Have Sex Sooner, www.rand.org).

Love: As a recent Time.com article mentioned, the love affair between hip hop and advertisers continues to stay strong. In fact hip-hop’s power to direct tastes in everything from malt liquor to SUVs is constantly being wooed and courted by the advertising industry. (’Hip-Hop Nation ‘Is Exhibit a for America’s Latest Cultural Revolution, www.time.com)

Hate: Writer John McWhorter cites that the language of hip hop reinforces the same stereotypes that have hindered blacks in this country for decades by glorifying a “thuggish” adversarial stance that is the “proper” response to an allegedly racist, never changing white society that continues to oppress them. He firmly believes that this in essence, retards black success. (How Hip-Hop Holds Blacks Back, John H. McWhorter, The Manhattan Institute’s City Journal). For an example he cites several snippets from recent rap songs including this one from one of hip hop’s iconic figures, the late Tupac Shakur

gotta know how to shake the snakes, nigga,
‘Cause the police love to break a nigga,
Send him upstate ’cause they straight up hate the nigga.

For every positive someone can make a valid point for a negative aspect to this music. There is no right or wrong here. If you put both sides of this debate in a room you might as well make it a round room because that’s how the argument will go.

Breaking the circle
The language of hip hop isn’t going to change anytime soon. For every reference to the N word, guns and sex there are just as many references to empowerment, being strong and standing up for what you believe. Not everyone who plays a videogame shoots up a school. Not everyone who listens to hip hop will abuse women and join a gang. Understanding, interaction and communication is the key rather than focusing primarily on the negative aspects of hip hop.

It’s like being a part of that brotherly bond. And that’s the thing that feels good about it. It’s your people, and you hear other people using it, it’s kind of flattering, you know what I’m saying? Even if they don’t give the recognition like they are supposed to! It feels good to hear people out there ‘biting’ [using] your slang, basically. It’s communication, you know what I mean? It’s communication.” (Ameen, Oakland California youth talking about the impact of the language of hip hop to an NPR reporter).

Author Bio
HIPHOPDX – The premier spot for all things Hip Hop, Rap and R&B culture, what’chu know ’bout that?

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If you want to get gigs, then you are going to have to do some schmoozing with club owners, bar owners and people of that nature. This means you are going to have to appear as professional and convincing as possible. You are going to have to come prepared with all the gear you need to successfully market yourself so you can book gigs and get paid.

First impressions are the most important thing in this biz. If you want to book gigs then you need to bring the following things with you to a meeting: a resume, a demo, a business card (with a link to your site), a poster or flyer, price and a confidant attitude. And most importantly, dress for success. You don’t have to wear a tux, just look presentable. You might even want to bring your instruments in case they want a short live audition, you never know.

Hopefully you will get the gig and it will end right there but you may not get hired right away. If this is you then you need to have a little persistence. Stop in every week or so and see if they have anything for you. Ask them if anyone has canceled and if there is a spot that needs to be filled. But beware, there is a fine line between persistence and stalking so be careful you are not doing the latter. Remember, the squeaky wheel gets the grease.

There are other places to play besides bars and clubs. Get creative! What about coffee shops, music stores, high school dances, book stores, restaurants, parks, festivals, fairs, or private parties? The same rules apply when meeting with the people that are related to these events and places. If you can’t find gigs at these places, ask them to refer you to someplace you can book gigs. If you present yourself professionally then they will respect you, even if they don’t have a spot for you.

One thing you can try to do is convince the owners or whoever you are meeting with that you can draw a crowd. Don’t promise this if you can’t make it happen. And if you promise this, then you need to make it happen. I am sure you have friends, family, acquaintances and co-workers that you can convince to come see you. It is even better if you have a solid group of fans going that will show up as well.

All of these tips will help you get gigs. Market yourself because no one else is going to do it. Remember, you can be your best asset or your worst enemy. Don’t go to a meeting unprepared and don’t stalk the people you have meeting with. If you want to get gigs then presenting yourself as a professional, top quality musician the eventually people will be knocking at your door for a change.

Author Bio
The former owner of an independent record label, current owner of Platinum Millennium publishing & national music industry seminar speaker/panelist. He’s also the author & creator of 40+ best-selling music business books, reports, courses, audio products & more “How to” resources, that helped 1000s of people like you to success. Go to www.GiggingforDollars.com for more info.

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Imagine an expedition to the Antarctic in 1914. There is no GPS, no world-reaching radio, and no satellite phone. Brutal conditions, rationed food, tight living quarters. Sounds pretty bleak. Now imagine that something goes horribly wrong. As days turn into weeks the rationed food is exhausted. As weeks turn into months hope is all that is left. When hope diminishes, all that is left is the will to live.

Sir Ernest Shackleton’s 1914 voyage turned into a disaster just before he and his crew of twenty-eight could reach Antarctica. Their ship The Endurance was held up by ice for ten months and then crushed by it’s frozen, unforgiving force, and that is just the beginning of this two-years long journey. It is amazing what he and his crew endure over this time period just to survive.

This is an excerpt from a diary kept by crewman Thomas Orde-Lees that recounts a very cold and desperate time some six months after the men abandoned the crumpled, mangled wreckage of their ship on three lifeboats.

“As the water splashed into the boats it froze instantly forming thick incrustations of ice on the inside of the boat and over all the gear freezing up the sail as stiff as a piece of corrugated iron. Fortunately the water which ran into the bottom of the boat did not freeze at once so that by frequent bailing we were able to keep pace with it and prevent the accumulation of ice along the keels, where, had it once formed, it would have been next to impossible to eradicate it on account of the cargo.

Much sleet covered us, and what with this and the sea spray we were all more or less wet through and our outer clothing was frozen stiff. Our time was largely occupied in picking the ice off each other’s backs. It would be a lie to say that we were at all happy under these circumstances but now and again we made a feeble effort to assume a cheerful, hopeful air in spite of ourselves. We were being sorely tried, indeed, though.”

For more on this event and to learn about a documentary film based on this event visit:
film-documentary.com/the-endurance.html

Author Bio Joey is a writer at http://film-documentary.com

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Koyaanisqatsi is a nonverbal film, directed by Godfrey Reggio, and completed in 1982. Koyaanisqatsi contains no actors, no dialogue and has no script. Images from around the world are set to a moving score from composer Philip Glass.

In the movie Koyaanisqatsi director Godfrey Reggio tries to show the imbalance between man and nature. Shots showing the destruction of mankind are coupled and set against images of nature’s beauty and force. The images are very moving and provoke many thoughts in viewers. The musical score of Philip Glass is unconventional, as his scores often are, and yet it is a good balance to the images.

The images are shot by Ron Fricke who later went on to make the movie Baraka. Baraka has a similar theme to Koyaanisqatsi, but a slightly more spiritual theme. It was shot using 70mm, which gives a warmer and cleaner feel than Koyaanisqatsi. Koyaanisqatsi was shot between 1975 and 1982. Some of its scenes are stock footage, such as explosions and space rocket launches.
Koyaanisqatsi has its own page at www.spiritofbaraka.com/koyaanis.aspx with all of the details of the film and images of most of the scenes.

In 2003 Koyaanisqatsi was re-released after ownership disputes were settled. The re-mastered DVD image greatly improved the quality but bizarrely lost its original aspect ratio.

Koyaanisqatsi has gone on to be an underground cult movie, and often studied by film students looking to explore a deeper side of the film world.

A small genre of films has been spawned by Koyaanisqatsi. Baraka, as mentioned above has become the most popular. Other movies in the genre include Chronos: also by Ron Fricke, Powaqqatsi: the sequel to Koyaanisqatsi, Microcosmos: about insects, Naqoyqatsi: the less popular final part of the Qatsi trilogy: Winged Migration: about birds, Samsara: the Sequel to Baraka, Dogora: about the young people of Cambodia.

All of these movies where originally created to by viewed in theatres, where one gets the maximum effect. Larger and clearer televisions, as well as home cinema systems have allowed all of these movies to be enjoyed at home.

Author Bio
Darren is a big fan of nonverbal films and runs the Spirit of Baraka website.

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The Shawshank Redemption is consistently voted as one of the best movies of all time. Originally a story in a Stephen King book, the Different Seasons, known as Rita Hayworth and the Shawshank Redemption, the story was adapted and the movie created. The movie was directed and the screenplay written by Frank Darabont. The movie was his first major production. Interestingly Stephen King has written two stories about prisons, The Shawshank Redemption and The Green Mile, which happen to be the first two movies that Frank Darabont directed.

The story is a cruel one, in which Andy Dufresne, an educated and kind man is wrongly convicted of his wife’s murder. During his time in prison he befriends several people, who are criminals, whereas Andy is not. His life is changed forever, as he deals with the troubles of incarceration.

Stephen King’s excellent character portrayal is not limited to his horror stories, and the characters in this story are some of his best. One could even believe this was based on a true story, but it is not, King has confirmed. The story is upsetting, puzzling and warming, and the movies popularity confirms people association with the story. I think it will always be a classic.

When released at the theatre The Shawshank Redemption did not achieve great success, despite the great buzz already generated by the Hollywood industry due to the great story. This was in part due to great competition at the time, and also the fact that the story is about a prison, which put many movie goers off. However, after the release to DVD the Shawshank Redemption sold in huge quantities making it a firm favorite.

The other stories from the Different Seasons book are:

I would recommend the book to anyone who is a fan, as it is a great collection of stories. The Shawshank Redemption is a very popular story, whether read in a book or watched as a film.

Author Bio

Darren Lambert is a big fan of the Shawshank Redemption movie, as well as other Stephen King stories. Article Source: http://www.ArticleGeek.com

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The next biggest boxing film, a new Rocky sequel, is set to be released in December 2006 or early 2007. Written and directed by Sylvester Stallone, Rocky VI, also called Rocky Balboa, has primarily been filmed throughout Philadelphia, Pennsylvania. However, in December 2005, the production team for the new boxing movie set out to Las Vegas for a series of fight scenes, which were filmed over a four day period. A call for extras was placed on sylvesterstallone.com, as well as at beinamovie.com. Fans traveled far and near for their opportunity to spend several days with the cast and crew, obtain autographs and to have the chance to say “I was there.” The film has been closely followed by local news stations based in Philadelphia, which is noted on Stallone’s official website.

The latest boxing saga for the one-time prize fighter, Rocky Balboa, played by Stallone, is said to parallel the comeback story of boxing legend, George Foreman. According to a statement printed on BeInAMovie.com, Stallone said that he wanted to tell Foreman’s comeback story.

In the newest boxing release from the Rocky series, Balboa is now a restaurant owner grieving over the loss of his wife, Adrian. After deciding to return to the ring for local fights, Balboa is confronted with the opportunity to fight the reigning heavyweight champion. This act garners major boxing media attention, as does any major bout that Balboa has faced, and so is the story of Rocky VI.

While focusing on the story of boxing, the films from the Rocky series are geared more toward not giving up and staying in the fight, whether you win or lose. Fans who have followed the films since their inception will recall Balboa, a struggling boxer, never turned away from a challenge. It is the story of preserverance that has not only kept the boxing career of Balboa going, but also the desire to do what he loves.

Rocky VI, also called Rocky Balboa, is currently defined as being in post-production. While it’s exact release date is not yet confirmed, industry experts believe it to be in late 2006 or early 2007 as previously noted. Some believe the film is slated for a Christmas Day 2006 release, but only time will tell. After a long hiatus from filming the world of boxing, Rocky makes yet another visit to the big screen with a crowd of eager fans anxiously awaiting the next storyline in one of the most anticipated boxing sequels ever made.

Author Bio
Read real time boxing news or any other sports news or find more about US boxing.

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Mallika Sherawat is considered to be a youth icon in the Indian film industry. She has tremendous popularity as far as her looks are concerned. But acting is something which is not the first criterion to be a good female actor in India. They are mainly in the movies for ornamental purposes- to attract young people who form the major chunk of cinema-goers.

Mallika Sherawat hails from Rohtak, India. She was an air-hostess initially. Many people do not know that she was married to a pilot but the marriage did not work out and they separated. Mallika Sherawat then tried her hand in show business and she achieved overnight success with her film Murder. Her success is mainly attributed to her bold scenes which are not usually seen in Indian movies. After some of her initial movies most of the films have proven to be below average. Even her much talked about film ‘Myth’ with Jacky Chan has fallen flat. If Mallika has to stay in the film industry she will have to give quality to cinema.

For Mallika Sherawat success and money comes easy which will be a dream for many people. This is probably the reason why her parents who were against her defiant attitude regarding her show of skin, later reconciled with her and are reportedly living with her.

Mallika Sherawat’s success has initiated a new era in Indian film industry. Actors who used to shy from showing their skin have now shed their hesitation and now competing with Mallika Sherawat. Celina Jaitly, Neha Dhupia, Esha Deol and many more like them are examples of such actors who have adopted the formula of Mallika Sherawat to make it to the top in Bollywood.

Many people feel that Mallika Sherawat is arrogant and egotist. She loves to talk about herself and her success. According to her, half the Indian population is mad about her. During an interview, she even challenged a senior news anchor of a reputed news channel that he likes her. Mallika probably has a very physical perspective of the people in general and that is how she has learned to exploit the desires of sexually deprived Indian men.

Mallika Sherawat has made name and money very easily… (relatively) just with her hot looks. Not everybody is gifted with such an attractive body. Quick success is something which is difficult to achieve and even more difficult to maintain. Let’s see in future how she manages to continue to be a successful star of Bollywood.

Author Bio
The author loves to write articles and blogs on the internet about Money Making Ideas and successful people like Mallika Sherawat. Find more info about her here- mallika-sherawat.blogdrive.com

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